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    • Home
    • About Us
    • Courses & Classes
      • Online
      • In-Person
    • Federation Retreat 2022
      • About the Retreat
      • Instructors
      • Location
      • Itinerary
      • Rates
    • Foundations Program
      • About Foundations
      • Foundations Instructors
      • Full Day Program
      • Evening Program
    • Classroom Rental
    • Contact Us
  • Home
  • About Us
  • Courses & Classes
  • Federation Retreat 2022
  • Foundations Program
  • Classroom Rental
  • Contact Us

In-Person Programming

Catching the Light with Gaye Adams, SFCA

Adding Vibrancy To Plein Air Painting with Tatjana Mirkov-Popovicki, SFCA

Adding Vibrancy To Plein Air Painting with Tatjana Mirkov-Popovicki, SFCA

Saturday & Sunday, May 28th-29th  

10.00 AM - 4.00 PM 

Location: Granville Island 


Painting outdoors can be overwhelming and an approach is needed to break the process into bite sized chunks. The act of producing a painting from a living, breathing, changing environment is much different than painting in the studio - harder, yet well worth the pursuit, and infinitely rewarding.  

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Adding Vibrancy To Plein Air Painting with Tatjana Mirkov-Popovicki, SFCA

Adding Vibrancy To Plein Air Painting with Tatjana Mirkov-Popovicki, SFCA

Adding Vibrancy To Plein Air Painting with Tatjana Mirkov-Popovicki, SFCA

Saturday & Sunday, June 18th-19th  

10.00 AM - 4.00 PM

Location: Granville Island 


Join this plein air painting workshop with Tatjana Mirkov-Popovicki. Learn how to quickly establish vibrantly coloured, dynamic compositions in the field, how to apply an expressive mark-making process with acrylic paint, and take a fun, step-by-step approach to developing values and colours.  

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The Rembrandt Project with Michael Britton

Adding Vibrancy To Plein Air Painting with Tatjana Mirkov-Popovicki, SFCA

The Rembrandt Project with Michael Britton

Wednesday - Friday, August 10th-12th  

10.00 AM - 4.00 PM

Location: Federation Academy 


The study of Rembrandt’s painting processes remain the gold standard for both academic and contemporary portrait painting. The locus of the workshop is Rembrandt’s painting process of tronies which were painted directly without preparatory drawings or transferred cartoons. 

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